– News –

Residency K3|Tanzplan Hamburg
Together with Maria Zimpel and Luísa Saraiva selected as the residency artists for the K3 | Tanzplan Hamburg Season 2019/2020
Probebühne Eins, K3 Kampnagel Hamburg, 30 January 2020, 19:30
TanzHochDrei, Premiere 19 March 2020, 20 & 21 March 2020

Foto: Thies Rätzke

Interview by YIYI Production


Won the Best Choreographer in a Full-Length Work, Best Set Design, Best Music & Sound Design at the 16th BOH Cameronian Awards 2019 in Malaysia


-Co-Choreographer/ Dramaturg-
Jascha Viehstädt
Lu Wit Chin, James Kan Che Wai,
Raymond Liew Jin Pin
Ng Chor Guan
-Stage Design-
Ma Hui Shan
-Lighting Design-
Tan Eng Heng
Hoh May Yee
Continue is a dance trilogy made up of Tongue,Triangle and Touch, which deals with continuous patterns in nature and human behaviour.The first piece unfolds with three dancers endlessly turning around themselves, encircling their thoughts and how to communicate with the outside world. But their words get stuck in the mouth, questions are lingering on the lips and emotions hover over the tongue. It is this very familiar, yet helplessly private situation that makes them move. With a huge appetite for words, they arm themselves with movement against the dark spells of modern life with all its promising freedom and hidden taboos.And they go on, go on and on and on and on…

Criticsrepublic – Bilqis Hijas 

Supported by Goethe Institute, DPAC, INXO Arts Fund, Toccata Studio, Passion Ma Artistry & City Ballet Academy
Photo Credit : Mark Morris, Muhammad Sulaiman




With a lot of humor and some dark magic, the German-Malaysian Duo is creating a Mermaid. The two dancers explore the implications of this „hybrid creature“ concerning movement, narration and gender.


MERMAID is an attempt at creating a monster. The two Performers develop in a dancing symbiosis the movement potentials of unity and fusion of two bodies functioning as an entity. They investigate the figure of the mermaid considering its partly dark historic roots as well as its relevance in today’s pop culture. A dance piece emerges that connects a refelction of geopolitic questions of the limits of personal freedom with a humoristic movement research and an appeal to a lust for imagination.


Jascha Viehstädt and Raymond Liew Jin Pin
Isabelle Wapnitz
Signe Koefoed
Slawek Kwi

– Past Event –
Premiere & Co-Production
P-Bodies Festival #02 – Loose Ends www.p-bodies.com
Lofft Das Theater www.lofft.de

Malaysia Tour – G-Six Studio, Johor Bahru
Hin Bus Depot, Georgetown, Penang

(Supported by Goethe Institute,DPAC,Hin Bus Depot)
Photo Credit : Laura Wiegand, Joie Koo

The Edge

PRISMA 2017-International Contemporary Dance Festival of Panama


A haunting piece created on the edges of life. One peers through the darkness, hiding behind the fear to be seen. There is too much not to be exposed. Still the curiosity pierces through, what goes on with the world out there? Could others take my place? Would I let them?


Different voices of survival. At times aloof, distant. At times deafening, frantic. A perfectly normal person, how desirable. To be or not to be in the limelight, with the world demanding something of you, every passing moment. Finally, the desire, to live on, lives on…

Don’t let me drown.
Synopsis by Shann Rann

Ching-Yu,Chi, Luiza Braz Batista
Cagdas Ermis, Wladi Bondarenko
Ng Chor Guan
Rodolpho Leoni
Folkwang Tanz Studio
Anne Bentgens
Reinhard Hubert
Cheer Chen
Premiere 2014, mix-billed performance with David Hernandez & Mandy Huo
D’motion International Dance Festival 2014 – Programme D: d’Next Choreographer Exchange, was supported by the Goethe-Institut Malaysia and the Royal Arts Gala Fund in cooperation with Rimbun Dahan, my performing arts agency and JKKN.


Maria Cencaru

A site-specific performance series in which the audience is interacting with the alter ego Maria Cencaru of Raymond Liew through a genderless customising.

Dear Raymond (solo performance) + Dear Butt (Polaroid Installation)

a recovering journey


-Dear Raymond-
This work is about my journey & my survival. I decided to move on with my life with courage, but by no means do I want to forget the nightmare that I experienced in 2013. That is why I challenge myself to undergo it again in the solo. In doing so, I can connect & apologize to the old me – the best way I know how – through  dance performance.

Still to this day, the speedboat driver has not apologized for his action. Due to political & financial troubles, I refrained from filing a lawsuit. I believe, through art this case will be heard! I aim to be strong & inspiring in this performance, so that those who come in contact with “Dear Raymond” can obtain strength & perseverance.

Positive, Love & Passion.

-Dear Butt-
1st August 2013, the left side of my butt muscle was cut off by the propeller of the speedboat while I was canoeing in Tioman Island,Malaysia. I survived. I had done more than 10 reconstructive operations. The doctors had to make skin transplants,muscles transplants, blood vessel transplants & intestine operations etc. Though my body is full of scars I am able to dance again. The Butt has become a sensitive matter for me after the accident. This installation serves as a part of my solo research & as a part of my healing process. I lost my butt & I miss it very much.

Hang On Little Tomato by Pink Martini

Solo research during the “Choreographic Dialogues” residency   program with dialogue partner, Verena Billinger at PACT in 2015.
Premiere at “Es wird sogar schön” in Essen.
Performed at P-Bodies#1 in Leipzig, Unitanz in Lecce, RAW ARTS SPACE in Kuala Lumpur  and G-SIX STUDIO in Johor Bahru .

Photo Credit : Ng Chor Guan


Premiere 2016, Essen


…is a meeting point of flesh between humans, animals and fruits. By merging traditional dance elements and live art, the two Malaysian artists highlight the deep-seated contradiction between religious ethics and bodily sacrifice in rituals.  This work-in-progress in collaboration with a digital artist is a daring exploration into the intertwining visage of bodies and the corporeal rest.

Chai Vivan
Raymond Liew Jin Pin
-Media Artist-
Daz Disley
Jascha Viehstädt
Traditionelle Music,Terinai & Piring
Meat is Murder by The Smiths
Premiere 2016, Essen

Photo Credit : Gao Shan, Ching-Mei Huang

Cut the Clouds

Won the Best Group Performance, the Best Lighting Design, the Best Music & Sound Design at the 12th Boh Cameronian Arts Awards in Malaysia


Born. Reborn. The clouds roll by.
Something is being born every minute. Something, reborn every other minute.
The clouds, still rolling by. Sun shines through the clouds, cutting them up with its gentle rays of hope.
To witness is to connect to how long a way one has journeyed.
There is always a reason to celebrate.

Synopsis  by Shan Rann

(Collaboration between Folkwang Tanz Studio & DPAC Dance Company)
Ching-Yu Chi, Luiza Braz Batista, Hoi Cheng Sim
Tan Bee Hung, Rachel Chew Zi Xin
Kyson Teo Khai Shen , Hanna Tan Qiao Han
Ng Chor Guan
-Multi-media Artist-
Koo Chia Meng
Tan Eng Heng
Nominated  for Best Choreographer in a Mixed Bill for the 12th Boh Cameronian Arts Awards in Malaysia
Won the Best Group Performance (DPAC Dance Company)
Won the Best Lighting Design
Won the Best Music & Sound Design


Photo Credit : James Quah


Solo Duo Festival, Köln


Awaiting . . . I see blood and  I see fear
Letting go . . . I see blossom and I live

Jordan Gigout
Raymond Liew Jin Pin
Broken Line 1 by Alva Noto & Ryuichi Sakamoto (self-edited)
Researched during the Tanzfaktur Inkubator Residency Programmed in Köln.
Solo Duo Festival in Köln
Unitanz 2015 Lecce, Italy.

Without Drowning

Kuk Award, Essen

Liliana Ferri
Attack, Transition by Alva Noto & Ryuichi Sakamoto
Anne Bentgens
Kuk Award in Essen

Photo Credit : Gao Shan, Simon Samson Raphael

Benefit of the Doubt

Maya Dance Theatre (Singapore)


Sun Phitthaya Phaefuang, Sheriden Newman
Bernice Lee, Shahrin Johry
Maya Dance Theatre (Singapore)
Elevation by Hildur Gudnadottir
Benefit of the Doubt by Dark Dark Dark , album The Snow Magic
Premiere at the Release 4.0 , 13 March 2015
Kaatsbaan International Dance Center at Tivoli, 4 June 2015
Random Chapters in Penang Pac

Photo Credit : Ernest Sarino Mandap

This dancefilm is part of the Sacre/ilège(s)-The Rite of Spring collage project for Body Cinéma/International Video Dance Festival of Burgundy’s 2013 video dance collage project Sacre/ilège(s).

-Concept & Direction-
Bianca Sere Pulungan
-Choreography & Dance-
Bianca Sere Pulungan and Raymond Liew
Igor Stravinsky
-Performed & Mixed-
Jay Bacal With additional engineering & mastering by Dietz Tinhof (Vienna Symphonic Library)


Wettbewerb Contact energy’12 in Erfurt

I walk & run without direction.
You couldn’t see my tears as I am in the water.
Don’t be jealous with my mono-expression.

Ying-Chi, Chen
Raymond Liew Jin Pin
Wettbewerb Contact energy’12.

Music video

Lea Benecke
Just Berger
Daniel Toelke, Adrian Bedoy, Torben Köster
Rajan Shrestha
Simon Baucks



Photo Credit : Ernest Sarino Mandap

Passing Blue

Solo performance inspired by movie ‘Lan Yu’ 《藍宇》


藍是憂鬱 藍是等待人來喜歡
藍是色 色即是空~
藍是生靈的墳墓 藍是生靈的故鄉
藍是自言自語 藍是冬天賴床
藍是情人的枕邊細語 藍是自私

藍對著你就像千萬年一般 依舊的

Blue by Bobby Chen

Photo Credit : Joerg Wuestefeld, Foo Chi Wei, Taka Chang


25th International Competition for Choreography in Hannover


Why did it have to happen? Why did it all have to end?
                I have your arms around me, warm like fire ,
but when I open my eyes , you’re gone.
Big big world – Emilia

Roberta Petti
Linda Pilar Brodhag
Raymond Liew Jin Pin
(2nd cast)
Lim Thou Chun
Kate Soon Fei King
Jeffrey Yong Kwang Shing
25th International Competition for Choreography
Mydance Festival in Malaysia

Photo Credit : Ernest Sarino Mandap

…pluck it before it fades.

“I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly dreaming I am a man.”  ZHUANG ZI

Two Songs for Dance, For Teda, Endalaus II
Ólafur Arnald
Premiere at the 638 Kilotanz, Essen.


I can see you

Tanzfaktur Inkubator Residency Programmed, Köln.

Jordan Gigout
Trioon II
Alva Noto & Ryuichi Sakamoto
Tanzfaktur Inkubator Residency Programmed in Köln.

Wandering Stone

Linda Pilar Brodhag
Pei-Ching, Huang
Katharina Klassmann
Georgia Kapodistria